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Hui-Wen Lu PhD
Graduate Institute of Art History,
National Taiwan University
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Walking Their Own Paths: Women Calligraphers in Contemporary Taiwan
Curator
Hui-wen LU
Dates
2025.9.5 - 12.1
Venue
Hengshan Calligraphy Art Center (Taoyuan, Taiwan)
Link
Introduction
Walking Their Own Paths: Women Calligraphers in Contemporary Taiwan is the first large-scale exhibition centered on female calligraphers in Taiwan. Featuring artists from different generations, backgrounds, and styles, the exhibition aims to present the rich diversity of women’s creative expressions in contemporary Taiwanese calligraphy. It also highlights the journeys these women have taken and the life experiences expressed through their art.
Chinese calligraphy carries over three thousand years of cultural history. It is not only an art form rooted in philosophical depth and stylistic complexity but also one shaped by evolving social and cultural environments. In traditional calligraphy histories, women have rarely taken center stage. They are often mentioned in passing and sidelined as wives or daughters of male calligraphers, with their styles viewed as extensions of their male relatives. This marginalization reflects the societal position women held in traditional Han culture. Since the early 20th century, with the expansion of education and increasing gender equality, more women have engaged in calligraphy and achieved recognition. Their growing presence raises important questions. How do women learn and create within a tradition shaped by male aesthetics? How are their works recorded and evaluated? And perhaps most importantly, how do they claim a space of their own within this legacy?
Over the past century, Taiwan has experienced major political, social, and cultural transformations. Alongside these paradigm shifts, women's roles and self-perceptions have evolved. This exhibition spans a century of work, beginning with early figures from the Japanese colonial period such as Cai Bi-yin, Chang Li Der-her, and Huang Bao-ju. It continues with calligraphers who arrived with the Nationalist government in 1949—such as Chang Mo-chun, Tan Shu, Gu Ruei-hua, and Feng Ji-rong—and extends to the present day. Participating artists span three generations. The eldest are over 85 years old; the youngest, not yet 30. Some break gender stereotypes. Others respond to the new political and cultural climate following the end of martial law in the 1980s. Some remain devoted to the spiritual and aesthetic values of traditional calligraphy, while others draw inspiration from daily life to explore new possibilities.
In order to provide a broader and more cross-cultural perspective, the exhibition also includes women artists from China, Japan, Korea, Iran, the United Kingdom, and France. 59 artists are featured, with 62 works on display. These span a range of formats, including two-dimensional calligraphy, mixed-media installations, photography, and video.
Today, women calligraphers in Taiwan and around the world are no longer confined to roles of inheritance or repetition. They respond to their times through writing, infusing their work with the presence of their bodies, experiences, and voices. What they inscribe on paper is not only language but also a sense of place, identity, and direction. They move freely, writing new paths as they go.
Artists (in chronological order)
Cai Bi-Yin, Chang Mo-Chun, Chang Li Der-Her, Tan Shu, Chen Shu-Zhen, Gu Ruei-Hua, Shimoda Toko, Ch'ung-Ho Chang Frankel, Huang Bau-Ju, Feng Ji-Rong, Chen Jia-Zr, Yuan Jai, Tong Yang-Tze, Chang Song Lian, Lai Li-Yun, Emily Shih-Chih Yang, Chen Hsing-Wan, Cheng Fang-Ho, Chu Hsiu-Ying, Nicole Dufour, Shirin Neshat, Chang Jin Lieng, Hong Ta-Mei, Lee Shew-Hua, Lee Fang Ling, Juin Shieh, Kang Misun, Lu Ming-Chi, Ahn Mija, Fabienne Verdier, Yuan Hui-Li, Kim Heryun, Hsu Huei Mei, Tuan Ting An, Fu Ying Ying, Lien Jui-Fen, Zhu Tianning, Zhuang Qian-Hui, Cui Fei, Wang Ya-Hui, Peng Wei, Xu Jing, Soraya Syed, Kawao Tomoko, Wu Meng-Shan, Lin Chia Ying, Chiang Po-Hsuan, Wang Yu-Cyuan, Po Chiao-Ling, Wang Yi-Chun
Lectures
2025.9.21 Sun. 14:00-16:00
Speakers: KAWAO Tomoko, Hui-wen LU
Venue: Hengshan Calligraphy Art Center (Taoyuan, Taiwan)
2025.10.25 Sat. 14:00-16:00
Speakers: Hui-wen LU
Venue: Hengshan Calligraphy Art Center (Taoyuan, Taiwan)
Press
◆ 典藏|2025.10.01
自由自在就是女性的樣子:盧慧紋談「自由自在」如何補寫臺灣女性書藝史(文|李京樺)
https://artouch.com/art-views/art-exhibition/content-190516.html
◆ 自由時報|2025.10.19
【藝週末.藝週推薦展覽】自由於形,自在於心─橫山書法藝術館「自由自在:臺灣當代女性書藝展」
https://art.ltn.com.tw/article/paper/1728629
◆ ARTASIAPACIFIC|2025.9.25
Walking Their Own Paths: Women Calligraphers in Contemporary Taiwan
https://www.artasiapacific.com/shows/walking-their-own-paths-women-calligraphers-in-contemporary-taiwan/
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|TLife 台灣高鐵車上雜誌|2025, 11月號
別錯過橫山書法藝術館11月最後一場夜間驚喜「寫她的詩」,書法與當代藝術跨界交會,濃縮台灣百年女性書法藝術家精華(文|葉亞薇。活動推薦人|王榆鈞)
https://tlife.thsrc.com.tw/tw/article/6095
|大媒體新聞網|2025.9.14
跨越時代 自由自在 女性書藝展桃園橫山書藝館登場 具體展現創作當代女性書藝多元風貌
https://newsmedia.today/跨越時代-自由自在-女性書藝展桃園橫山書藝館/
|台灣旅遊趣|2025.9.11
2025桃園必看書藝展覽!見證女性在藝術與生活中的自我書寫
https://today.line.me/tw/v3/article/Ggzy2x8
|青年日報|2025.9.6
橫山書法藝術館「自由自在」書藝風貌多元精彩
https://www.ydn.com.tw/news/newsInsidePage?chapterID=1795877
|非池中藝術網|2025.9.5
「自由自在:臺灣當代女性書藝展」臺灣首次大型女性書藝研究展 橫山書法藝術館盛大開幕
https://artemperor.tw/focus/6737
|自由藝文網|2025.9.5
【藝術文化】橫山書藝館「自由自在」展 首度聚焦台灣百年女性書藝
https://art.ltn.com.tw/article/paper/1722871
|TBC 桃園生活台|2025.9.5
橫山館首辦女性書藝展 飽覽60幅作品
https://youtu.be/FR6XLakYr6o
|T-NEWS聯播網|2025.9.5
橫山館首辦女性書藝展 飽覽60幅作品
https://youtu.be/QAZ6xLIhzkc
|桃園有線新聞|
「自由自在」女性書藝展橫山館登場
59位藝術家展現跨世代書法力量
https://youtube.com/shorts/A5BV7CvzRME
|典藏 ARTouch |2025.9.4
女性的筆、女性的書寫、女性的話語——從未在時代的洪流中缺席
自由自在——臺灣當代女性書藝展
https://www.facebook.com/share/p/15HmBQ9m51/
|500輯|2025.9.4
臺灣首次大型女性書藝研究展「自由自在」橫山書法藝術館登場
https://500times.udn.com/wtimes/amp/story/12672/8983870
|藝術家雜誌社|《藝術收藏+設計》2025年8月215期
藝術熱新聞 橫山書法藝術館「自由自在─臺灣當代女性書藝展」
https://www.artist-magazine.com/edcontent_d.php?lang=tw&tb=9&id=29516
|自由藝文網|2025.9.4
書法界「她」力!自由自在展 呈現被忽視的女性書藝史
https://art.ltn.com.tw/article/breakingnews/5167488
|自由藝文網|2025.9.4
把「人變成字」!橫山書藝館首度聚焦女性跨界書藝 川尾朋子作品衝擊視覺
https://art.ltn.com.tw/article/breakingnews/5167475
|桃園市政府 最新消息|2025.9.4
「自由自在」女性書藝展9/5盛大登場 張市長邀國人體驗當代女性書藝多元風貌
https://www.tycg.gov.tw/NewsPage_Content.aspx?n=7&s=1578587
|中時新聞網 觸mii|2025.9.4
桃美館「自由自在」當代女性書藝展 59國內外藝術家展出逾60件作品
https://truemii.chinatimes.com/content/20250904002405-265008
|台灣大紀元|2025.9.4
「自由自在」女性書藝展 體驗當代女性書藝多元風貌
https://www.epochtimes.com.tw/n482249/自由自在女性書藝展---體驗當代女性書藝多元風貌.html
策劃單位
主辦單位:桃園市立美術館︱橫山書法藝術館
攝影︱ANPIS FOTO王世邦
圖片提供︱桃園市立美術館














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