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Walking Their Own Paths: Women Calligraphers in Contemporary Taiwan

Curator

Hui-wen LU

Dates

2025.9.5 - 12.1

Venue

Hengshan Calligraphy Art Center (Taoyuan, Taiwan)

Introduction

Walking Their Own Paths: Women Calligraphers in Contemporary Taiwan is the first large-scale exhibition centered on female calligraphers in Taiwan. Featuring artists from different generations, backgrounds, and styles, the exhibition aims to present the rich diversity of women’s creative expressions in contemporary Taiwanese calligraphy. It also highlights the journeys these women have taken and the life experiences expressed through their art.

Chinese calligraphy carries over three thousand years of cultural history. It is not only an art form rooted in philosophical depth and stylistic complexity but also one shaped by evolving social and cultural environments. In traditional calligraphy histories, women have rarely taken center stage. They are often mentioned in passing and sidelined as wives or daughters of male calligraphers, with their styles viewed as extensions of their male relatives. This marginalization reflects the societal position women held in traditional Han culture. Since the early 20th century, with the expansion of education and increasing gender equality, more women have engaged in calligraphy and achieved recognition. Their growing presence raises important questions. How do women learn and create within a tradition shaped by male aesthetics? How are their works recorded and evaluated? And perhaps most importantly, how do they claim a space of their own within this legacy?

Over the past century, Taiwan has experienced major political, social, and cultural transformations. Alongside these paradigm shifts, women's roles and self-perceptions have evolved. This exhibition spans a century of work, beginning with early figures from the Japanese colonial period such as Cai Bi-yin, Chang Li Der-her, and Huang Bao-ju. It continues with calligraphers who arrived with the Nationalist government in 1949—such as Chang Mo-chun, Tan Shu, Gu Ruei-hua, and Feng Ji-rong—and extends to the present day. Participating artists span three generations. The eldest are over 85 years old; the youngest, not yet 30. Some break gender stereotypes. Others respond to the new political and cultural climate following the end of martial law in the 1980s. Some remain devoted to the spiritual and aesthetic values of traditional calligraphy, while others draw inspiration from daily life to explore new possibilities.

In order to provide a broader and more cross-cultural perspective, the exhibition also includes women artists from China, Japan, Korea, Iran, the United Kingdom, and France. 59 artists are featured, with 62 works on display. These span a range of formats, including two-dimensional calligraphy, mixed-media installations, photography, and video.

Today, women calligraphers in Taiwan and around the world are no longer confined to roles of inheritance or repetition. They respond to their times through writing, infusing their work with the presence of their bodies, experiences, and voices. What they inscribe on paper is not only language but also a sense of place, identity, and direction. They move freely, writing new paths as they go.

Artists (in chronological order)

Cai Bi-Yin, Chang Mo-Chun, Chang Li Der-Her, Tan Shu, Chen Shu-Zhen, Gu Ruei-Hua, Shimoda Toko, Ch'ung-Ho Chang Frankel, Huang Bau-Ju, Feng Ji-Rong, Chen Jia-Zr, Yuan Jai, Tong Yang-Tze, Chang Song Lian, Lai Li-Yun, Emily Shih-Chih Yang, Chen Hsing-Wan, Cheng Fang-Ho, Chu Hsiu-Ying, Nicole Dufour, Shirin Neshat, Chang Jin Lieng, Hong Ta-Mei, Lee Shew-Hua, Lee Fang Ling, Juin Shieh, Kang Misun, Lu Ming-Chi, Ahn Mija, Fabienne Verdier, Yuan Hui-Li, Kim Heryun, Hsu Huei Mei, Tuan Ting An, Fu Ying Ying, Lien Jui-Fen, Zhu Tianning, Zhuang Qian-Hui, Cui Fei, Wang Ya-Hui, Peng Wei, Xu Jing, Soraya Syed, Kawao Tomoko, Wu Meng-Shan, Lin Chia Ying, Chiang Po-Hsuan, Wang Yu-Cyuan, Po Chiao-Ling, Wang Yi-Chun

Lectures

2025.9.21 Sun. 14:00-16:00
Speakers: KAWAO Tomoko, Hui-wen LU
Venue: Hengshan Calligraphy Art Center (Taoyuan, Taiwan)

2025.10.25 Sat. 14:00-16:00
Speakers: Hui-wen LU
Venue: Hengshan Calligraphy Art Center (Taoyuan, Taiwan)

Press

典藏 ARTouch |女性的筆、女性的書寫、女性的話語——從未在時代的洪流中缺席
自由自在——臺灣當代女性書藝展
https://www.facebook.com/share/p/15HmBQ9m51/

500輯|臺灣首次大型女性書藝研究展「自由自在」橫山書法藝術館登場
https://500times.udn.com/wtimes/amp/story/12672/8983870

藝術家雜誌社|自由自在—臺灣當代女性書藝展- 藝文消息
https://www.artist-magazine.com/edcontent_d.php?lang=tw&tb=9&id=29516

策劃單位

主辦單位:桃園市立美術館︱橫山書法藝術館

© 2024 by Hui-Wen LU PhD. Powered and secured by Wix

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