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I would like to share my article, “Epigraphic Aesthetics and Layered Histories: Li Jian and Wen C. Fong’s Bond Across Time and Continents,” published in the latest issue of Orientations (March/April 2026). The materials discussed in this article are currently on view at the Metropolitan Museum of Art in New York (through May 10) ( EXHIBITION｜Chinese Painting and Calligraphy: Selections from the Collection ) . I would like to thank Mrs. Fong for her trust in inviting me to wri

Journal articles and Book chapters (in English) 2026     “Looking Back and Looking In: Tracing Women Calligraphers in Taiwan across Time and Disciplines,” in Lin Yong-neng, ed., Walking Their Own Paths: Women Calligraphers in Contemporary Taiwan (Taoyuan: Taoyuan Museum of Fine Arts). Journal articles and Book chapters (in Chinese) 2025     “A Study of Several Versions of the 'Hai Character Edition' of The Essay on Yue Yi, ”  The National Palace Museum Research Quarterly 《故宮學

#豈止於善 ：受贈渡海書畫集 終於出版了 過去數月反覆修訂、校稿、全都是血淚！ Preface “Striving for Perfection: Donated Paintings and Calligraphy from the 1949 Cross-Strait Migration” is the third exhibition presented by our institution since its founding, and the first to focus on the theme of calligraphy and painting. The works on display were originally part of the private collection of Mr. Yuan Shouqian (styled Qizhi, 1903–1992). Thanks to the generous donation by artist Ms. Yuan Jai (b. 1941), this valuable

拙文出版，敬請指教。 這篇文章其實早在數年前便已開始撰寫，但期間因其他研究題目與迫切事務陸續插入，長時間進度停滯。直到2025年上半年於普林斯頓大學客座訪問期間，得以暫時放下公私諸務，才終於將其完成。 感謝普林斯頓大學藝術與考古系的邀請，這半年的訪問期間成為我得以暫時喘息並追趕研究進度的珍貴時光。 感謝兩位匿名審稿人的寶貴意見與指正，並感謝《故宮學術季刊》編輯團隊的協助。 拙文或仍有諸多未盡完善之處，尚祈各方不吝指教。 _____________________________ 〈海字本〈樂毅論〉若干版本考〉，《故宮學術季刊》43卷2期（2025），頁1-57。 “A Study of Several Versions of the 'Hai Character Edition' of The Essay on Yue Yi ,” The National Palace Museum Research Quarterly , 43:2, pp. 1-57. _____________________________ Abstract Wang X